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Urbane, to comfort them, the quaker librarian purred:

—And we have, have we not, those priceless pages of . A great poet on a great brother poet. A hesitating soul taking arms against a sea of troubles, torn by conflicting doubts, as one sees in real life.

He came a step a sinkapace forward on neatsleather creaking and a step backward a sinkapace on the solemn floor.

A noiseless attendant setting open the door but slightly made him a noiseless beck.

—Directly, said he, creaking to go, albeit lingering. The beautiful ineffectual dreamer who comes to grief against hard facts. One always feels that Goethe’s judgments are so true. True in the larger analysis.

Twicreakingly analysis he corantoed off. Bald, most zealous by the door he gave his large ear all to the attendant’s words: heard them: and was gone.

Two left.

—Monsieur de la Palice, Stephen sneered, was alive fifteen minutes before his death.

—Have you found those six brave medicals, John Eglinton asked with elder’s gall, to write at your dictation? he calls it.

Smile. Smile Cranly’s smile.

First he tickled her
Then he patted her
Then he passed the female catheter
For he was a medical
Jolly old medi…

—I feel you would need one more for Seven is dear to the mystic mind. The shining seven W.B. calls them.

Glittereyed his rufous skull close to his greencapped desklamp sought the face bearded amid darkgreener shadow, an ollav, holyeyed. He laughed low: a sizar’s laugh of Trinity: unanswered.

Orchestral Satan, weeping many a rood
Tears such as angels weep.
Ed egli avea del cul fatto trombetta.

He holds my follies hostage.

Cranly’s eleven true Wicklowmen to free their sireland. Gaptoothed Kathleen, her four beautiful green fields, the stranger in her house. And one more to hail him: : the Tinahely twelve. In the shadow of the glen he cooees for them. My soul’s youth I gave him, night by night. God speed. Good hunting.

Mulligan has my telegram.

Folly. Persist.

—Our young Irish bards, John Eglinton censured, have yet to create a figure which the world will set beside Saxon Shakespeare’s Hamlet though I admire him, as old Ben did, on this side idolatry.

—All these questions are purely academic, Russell oracled out of his shadow. I mean, whether Hamlet is Shakespeare or James I or Essex. Clergymen’s discussions of the historicity of Jesus. Art has to reveal to us ideas, formless spiritual essences. The supreme question about a work of art is out of how deep a life does it spring. The painting of Gustave Moreau is the painting of ideas. The deepest poetry of Shelley, the words of Hamlet bring our minds into contact with the eternal wisdom, Plato’s world of ideas. All the rest is the speculation of schoolboys for schoolboys.

A. E. has been telling some yankee interviewer. Wall, tarnation strike me!

—The schoolmen were schoolboys first, Stephen said superpolitely. Aristotle was once Plato’s schoolboy.

—And has remained so, one should hope, John Eglinton sedately said. One can see him, a model schoolboy with his diploma under his arm.

He laughed again at the now smiling bearded face.

Formless spiritual. Father, Word and Holy Breath. Allfather, the heavenly man. Hiesos Kristos, magician of the beautiful, the Logos who suffers in us at every moment. This verily is that. I am the fire upon the altar. I am the sacrificial butter.

Dunlop, Judge, the noblest Roman of them all, A.E., Arval, the Name Ineffable, in heaven hight: K.H., their master, whose identity is no secret to adepts. Brothers of the great white lodge always watching to see if they can help. The Christ with the bridesister, moisture of light, born of an ensouled virgin, repentant sophia, departed to the plane of buddhi. The life esoteric is not for ordinary person. O.P. must work off bad karma first. Mrs Cooper Oakley once glimpsed our very illustrious sister H.P.B.’s elemental.

O, fie! Out on’t! You naughtn’t to look, missus, so you naughtn’t when a lady’s ashowing of her elemental.

Mr Best entered, tall, young, mild, light. He bore in his hand with grace a notebook, new, large, clean, bright.

—That model schoolboy, Stephen said, would find Hamlet’s musings about the afterlife of his princely soul, the improbable, insignificant and undramatic monologue, as shallow as Plato’s.

John Eglinton, frowning, said, waxing wroth:

—Upon my word it makes my blood boil to hear anyone compare Aristotle with Plato.

—Which of the two, Stephen asked, would have banished me from his commonwealth?

Unsheathe your dagger definitions. Horseness is the whatness of allhorse. Streams of tendency and eons they worship. God: noise in the street: very peripatetic. Space: what you damn well have to see. Through spaces smaller than red globules of man’s blood they creepycrawl after Blake’s buttocks into eternity of which this vegetable world is but a shadow. Hold to the now, the here, through which all future plunges to the past.

Mr Best came forward, amiable, towards his colleague.

—Haines is gone, he said.

—Is he?

—I was showing him Jubainville’s book. He’s quite enthusiastic, don’t you know, about Hyde’s I couldn’t bring him in to hear the discussion. He’s gone to Gill’s to buy it.

Bound thee forth, my booklet, quick
To greet the callous public.
Writ, I ween, ’twas not my wish
In lean unlovely English.

—The peatsmoke is going to his head, John Eglinton opined.

We feel in England. Penitent thief. Gone. I smoked his baccy. Green twinkling stone. An emerald set in the ring of the sea.

—People do not know how dangerous lovesongs can be, the auric egg of Russell warned occultly. The movements which work revolutions in the world are born out of the dreams and visions in a peasant’s heart on the hillside. For them the earth is not an exploitable ground but the living mother. The rarefied air of the academy and the arena produce the sixshilling novel, the musichall song. France produces the finest flower of corruption in Mallarmé but the desirable life is revealed only to the poor of heart, the life of Homer’s Phæacians.

From these words Mr Best turned an unoffending face to Stephen.

—Mallarmé, don’t you know, he said, has written those wonderful prose poems Stephen MacKenna used to read to me in Paris. The one about He says: , don’t you know, . He describes given in a French town, don’t you know, a provincial town. They advertised it.

His free hand graciously wrote tiny signs in air.

Leftherhis
Secondbest
Leftherhis
Bestabed
Secabest
Leftabed.

Woa!

—Pretty countryfolk had few chattels then, John Eglinton observed, as they have still if our peasant plays are true to type.

—He was a rich country gentleman, Stephen said, with a coat of arms and landed estate at Stratford and a house in Ireland yard, a capitalist shareholder, a bill promoter, a tithefarmer. Why did he not leave her his best bed if he wished her to snore away the rest of her nights in peace?

—It is clear that there were two beds, a best and a secondbest, Mr Secondbest Best said finely.

— , bettered Buck Mulligan and was smiled on.

—Antiquity mentions famous beds, Second Eglinton puckered, bedsmiling. Let me think.

—Antiquity mentions that Stagyrite schoolurchin and bald heathen sage, Stephen said, who when dying in exile frees and endows his slaves, pays tribute to his elders, wills to be laid in earth near the bones of his dead wife and bids his friends be kind to an old mistress (don’t forget Nell Gwynn Herpyllis) and let her live in his villa.

—Do you mean he died so? Mr Best asked with slight concern. I mean…

—He died dead drunk, Buck Mulligan capped. A quart of ale is a dish for a king. O, I must tell you what Dowden said!

—What? asked Besteglinton.

William Shakespeare and company, limited. The people’s William. For terms apply: E. Dowden, Highfield house…

—Lovely! Buck Mulligan suspired amorously. I asked him what he thought of the charge of pederasty brought against the bard. He lifted his hands and said: Lovely!

Catamite.

—The sense of beauty leads us astray, said beautifulinsadness Best to ugling Eglinton.

Steadfast John replied severe:

—The doctor can tell us what those words mean. You cannot eat your cake and have it.

Sayest thou so? Will they wrest from us, from me, the palm of beauty?

—And the sense of property, Stephen said. He drew Shylock out of his own long pocket. The son of a maltjobber and moneylender he was himself a cornjobber and moneylender, with ten tods of corn hoarded in the famine riots. His borrowers are no doubt those divers of worship mentioned by Chettle Falstaff who reported his uprightness of dealing. He sued a fellowplayer for the price of a few bags of malt and exacted his pound of flesh in interest for every money lent. How else could Aubrey’s ostler and callboy get rich quick? All events brought grist to his mill. Shylock chimes with the jewbaiting that followed the hanging and quartering of the queen’s leech Lopez, his jew’s heart being plucked forth while the sheeny was yet alive: and with the coming to the throne of a Scotch philosophaster with a turn for witchroasting. The lost armada is his jeer in . His pageants, the histories, sail fullbellied on a tide of Mafeking enthusiasm. Warwickshire jesuits are tried and we have a porter’s theory of equivocation. The comes home from Bermudas and the play Renan admired is written with Patsy Caliban, our American cousin. The sugared sonnets follow Sidney’s. As for fay Elizabeth, otherwise carrotty Bess, the gross virgin who inspired , let some meinherr from Almany grope his life long for deephid meanings in the depths of the buckbasket.

I think you’re getting on very nicely. Just mix up a mixture of theolologicophilolological.

—Prove that he was a jew, John Eglinton dared, expectantly. Your dean of studies holds he was a holy Roman.